Utilizing sampling, appropriation, and recorded observation, I am interested in interpreting the ways meaning is constructed and represented culturally. Utilizing film, video, photography and sound, I incorporate conventions like detournément and the re-processing of the familiar as ways to trace the feedback loop between media, culture, and identity. I am also interested in celluloid film as a medium, and have been experimenting with alternative hand-processing and shooting techniques with both the Super 8 and 16mm formats. I also work with Electroacoustic music, experimenting with recording techniques and sonic variables.

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